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Location
Kanchipuram
Presiding Deity
Lord Shiva (Kailasanathar)
Architecture
Pallava Dravidian
Dynasty
Pallava (Rajasimha)
Timings
6:00 AM to 12:00 PM and 4:00 PM to 6:00 PM daily. The temple closes for a few hours in the afternoon.
Entry Fee
Free
Best Time
October to March offers the most pleasant weather for exploring Kanchipuram. The early morning hours (6-9 AM) provide the best light for viewing the sculptures. Winter months (December-February) are ideal for temple exploration.
The oldest structure in Kanchipuram, built in the 8th century; it served as the inspiration for the Tanjavur Brihadeeswarar.
The Kailasanathar Temple was built by the Pallava king Rajasimha (Narasimhavarman II), who ruled from 685 to 705 CE. The temple's construction marked the culmination of Pallava architectural evolution, which began with the rock-cut cave temples of the 6th century (like Mamallapuram's rathas) and reached its structural peak here. The temple was originally called 'Rajasimha Pallaveswaram' after its builder. Rajasimha is believed to have personally supervised the temple's construction and even composed the Sanskrit inscriptions that adorn its walls. The temple survived the rise and fall of the Chola, Pandya, Vijayanagara, and Nayak empires largely intact because it was built on the outskirts of Kanchipuram, away from the city center where subsequent rulers focused their building activities. In the 19th century, the temple was documented by British archaeologists and underwent restoration. The ASI has maintained the temple since the early 20th century, though regular worship continues within the main sanctum.
The temple is built entirely of sandstone on a raised plinth. The main vimana (sanctum tower) rises to about 60 feet in a stepped pyramidal form, typical of early Dravidian architecture. The walls of the vimana are covered with a grid of 58 miniature shrines (devakoshtas), each housing a carved deity image. The sanctum houses a 16-faced Shiva lingam made of polished black granite. The inner walls feature exquisite paintings from the Pallava period, including traces of the original frescoes representing the Kailasa darshan (Shiva on Mount Kailasa). The temple has an unusual west-facing orientation. The mandapa (pillared hall) features lion-based pillars (simha-pada) characteristic of Pallava architecture. The outer wall is adorned with a series of carved panels depicting Shiva in various forms. The temple complex includes a partly ruined gopuram (gateway tower) at the entrance.
Kailasanathar Temple is the most important surviving example of early Dravidian structural temple architecture and the direct predecessor of the great Chola temples. The temple's layout — a central sanctum with a surrounding circumambulatory path (pradakshina) and a subsidiary shrine complex — established the pattern that Chola architects later expanded to monumental scale. The temple houses 58 small shrines (devakoshtas) built into the outer walls, each containing unique sculpted representations of Shiva in various forms (Bhikshatana, Nataraja, Gangadhara, Ardhanarishvara, etc.), making it an encyclopedia of Shaiva iconography. The temple is also significant for its inscriptions, which include Sanskrit slokas composed by King Rajasimha himself, providing valuable insights into Pallava court culture.
Daily rituals follow the Shaiva Agama tradition. The temple opens at 6:00 AM with the Mangala Aarti. Abhishekam is performed three times daily. The Sandhya Aarti is at sunset. The temple is busiest on Mondays and during the Shravan month (July-August). Special pujas are performed on Pradosham days.
Maha Shivaratri (February-March) is the most important festival, celebrated with special abhishekams and night-long vigils. The temple also observes Kartikai Deepam (November-December) with the lighting of lamps. Navaratri (September-October) features special pujas to the goddess.
The oldest surviving temple in Kanchipuram, the finest example of Pallava architecture, the 58 miniature shrines on the vimana walls, the prototype for the Brihadeeswarar Temple, and the Pallava-period inscriptions and frescoes.
October to March offers the most pleasant weather for exploring Kanchipuram. The early morning hours (6-9 AM) provide the best light for viewing the sculptures. Winter months (December-February) are ideal for temple exploration.
6:00 AM to 12:00 PM and 4:00 PM to 6:00 PM daily. The temple closes for a few hours in the afternoon.
Kailasanathar Temple is 3 km from Kanchipuram bus stand. The nearest railway station is Kanchipuram (4 km). Chennai International Airport is 75 km away. Auto-rickshaws are available for local transport. Photography is permitted in the temple complex. The best time for photography is morning when the sandstone glows in the soft sunlight. Modest attire is required. The temple's sculptures are best appreciated with a guide or reference book. Kanchipuram can be visited as a day trip from Chennai.
The Ekambareswarar Temple (3 km) is one of the Pancha Bhoota Sthalams (earth element). The Kamakshi Amman Temple (3 km) is a major Shakti shrine. The Varadharaja Perumal Temple (4 km) is one of the 108 Divya Desams. Kanchipuram is also famous for its silk weaving industry. The Vedanthangal Bird Sanctuary (30 km) and Mamallapuram (60 km) are nearby attractions. Chennai (75 km) is the nearest major city.
A. The temple was built between 685-705 CE during the reign of Pallava king Rajasimha (Narasimhavarman II), making it over 1,300 years old. It is the oldest surviving structure in Kanchipuram.
A. The temple features 58 miniature shrines carved into its outer walls, each with a distinct deity sculpture. It was the prototype for the Brihadeeswarar Temple in Thanjavur and represents the culmination of Pallava architecture.
A. Yes, the temple is an active place of worship managed by the Archaeological Survey of India (ASI). Daily rituals are performed in the sanctum, and the temple is open for devotees.
Vaikuntha Perumal Temple
Built by the Pallava king Nandivarman II in the 8th century (circa 770 CE), the Vaikuntha Perumal Temple in Kanchipuram is a key monument of Pallava architecture featuring three tiers of sanctums one above the other, a unique architectural design representing the three aspects of Vishnu — seated (bhoga), standing (sthita), and reclining (sayana).
Shore Temple, Mahabalipuram
One of the oldest structural stone temples of South India, built by the Pallava dynasty on the Bay of Bengal coast.
Airavatesvara Temple
The Airavatesvara Temple at Darasuram, built by Rajaraja Chola II between 1146 and 1172 CE, is one of the three UNESCO World Heritage 'Great Living Chola Temples.' It is renowned for its stone chariot, musical steps, and exquisite 12th-century Chola sculptures.
Gangaikonda Cholapuram Temple
The Gangaikonda Cholapuram Temple, built by Rajendra Chola I in 1035 CE, is a UNESCO World Heritage 'Great Living Chola Temple.' Its 53-metre vimana with recessed corners and six pairs of monolithic dvarapalas represents a refined evolution of Chola Dravidian architecture.
Kampaheswarar Temple
Kampaheswarar Temple in Tribhuvanam, built by Kulothunga Chola III in 1202 CE, is one of the later great Chola temples and completes the quartet of magnificent Chola stone temples alongside the Brihadeeswarar at Thanjavur, Gangaikonda Cholapuram, and Airavatesvara at Darasuram. The temple represents the mature phase of Chola architecture, featuring a 30-metre granite vimana, a separate Devi shrine, and a unique chariot-wheel carving in the mandapa. It is maintained by the Archaeological Survey of India as a protected monument of national importance.
Koranganatha Temple
Koranganatha Temple, built during the reign of the Chola king Parantaka I (907-955 CE) at Srinivasanallur near Tiruchirappalli, is a well-preserved example of early Chola architecture with exquisite stone carvings. The temple is maintained by the Archaeological Survey of India and is notable for its peaceful setting on the banks of the Kaveri River.
Pancha Rathas
The Pancha Rathas (Five Chariots) are a set of five monolithic temple structures carved from single granite outcrops during the reign of Narasimhavarman I (Mamalla, 630-668 CE) in Mahabalipuram. Part of the UNESCO World Heritage Site 'Group of Monuments at Mahabalipuram,' these rathas represent the earliest and most ambitious examples of monolithic rock-cut architecture in Tamil Nadu.
Olakkaneswara Temple
Olakkaneswara Temple, located on a rocky outcrop at the southern end of Mahabalipuram beach, was built by the Pallavas in the 7th century. The temple later served as a lighthouse for ships navigating the Bay of Bengal, with a beacon light placed on its tower in the late 19th century. The site offers panoramic views of the Mahabalipuram coastline.
Tarakeshwar Temple Hooghly
A massive 18th-century pilgrimage site dedicated to Lord Taraknath, especially vibrant during the Gajan festival.
Virupaksha Temple
The Virupaksha Temple in Hampi, Karnataka, is a UNESCO World Heritage Site and the oldest functioning temple in India, dedicated to Lord Shiva as Virupaksha.
Jageshwar Temple
A cluster of 124 ancient stone temples from the 7th-12th centuries, nestled in a dense deodar forest.
Neelkanth Mahadev Temple
Situated at 1,330 meters, this is where Lord Shiva is believed to have consumed the poison (Halahala) during the Samudra Manthan.
Tungnath Temple
The highest Shiva temple in the world, situated at 3,680 meters on the Chandranath Parbat; it is the 'Tritiya Kedar' in the sacred Panch Kedar pilgrimage circuit.
Rudranath Temple
One of the Panch Kedar shrines, representing Lord Shiva's face, situated at an altitude of 2,286 meters amidst meadows and rhododendron forests.
India's temples are living traditions — not museums. Every temple has its own customs. This guide helps first-time visitors prepare with confidence and respect.
Foreign visitor information is being researched
Please verify with the official temple authority before planning your visit.
Foreign Visitors
Verify Before VisitingVisitor Information
Entry policies vary between temples. Most temples welcome visitors, while some may restrict access to specific areas, rituals, or the inner sanctum. Always verify the latest entry guidelines with the official temple authorities before your visit.
Modest clothing is expected at every Indian temple — a sign of respect, not a restriction. Think of it as dressing for a formal ceremony.
A scarf is always useful — it covers shoulders, works as a head covering, and can double as a makeshift face cover if needed.
Outdoor photography is generally permitted. Indoor photography is often restricted. Always look for signage or ask a priest before taking photos inside.
October to March offers the most pleasant weather for exploring Kanchipuram. The early morning hours (6-9 AM) provide the best light for viewing the sculptures. Winter months (December-February) are ideal for temple exploration.
April — June
July — September
English is widely understood at major tourist temples. In smaller local temples, Hindi and the regional language are more common. A smile and simple hand gestures go a long way. Learning a few words of the local language is always appreciated.
Cash (Indian Rupees) is the most reliable option, especially for temple offerings, small shops, and local transport.
UPI digital payments (Google Pay, PhonePe, Paytm) are widely accepted across India — even at roadside stalls. Download one before you arrive.
International credit/debit cards work at most ATMs, hotels, and larger establishments. Smaller vendors may only accept cash or UPI.
Carry small denominations (₹10, ₹20, ₹50, ₹100 notes) for offerings and temple donations. Large notes (₹500, ₹2000) can be hard to break at smaller counters.
Many historic temples have uneven stone floors, multiple steps, and narrow passages. Wheelchair access is limited at older sites — contact the temple in advance.
Basic restroom facilities and drinking water are available at most major temples. Some charge a small fee (₹5–₹10).
Stay hydrated — carry a reusable water bottle, especially in hot climates.
Keep valuables secure — use hotel lockers for passports and excess cash.
Wear comfortable, sturdy footwear — temple floors can be hot, wet, or uneven.
Beware of unofficial guides or touts near temple entrances. Only use authorised services.
Carry a photocopy of your passport and visa. Leave originals in your hotel safe.
Download offline maps — mobile networks can be unreliable near remote temple sites.
These short explanations help make sense of what you see and experience.
Darshan means 'seeing' — but in a temple it means being seen by the deity. It is a sacred moment of connection, not just a viewing.
Removing footwear is a sign of humility. It also keeps the temple floor clean, since devotees sit and pray on the ground.
Food offered to the deity and then distributed to devotees. It is considered blessed. Accept it with both hands and do not discard it.
The bell creates a focused acoustic atmosphere, wards off distractions, and announces your presence before entering the inner sanctum.
Circumambulation (pradakshina) is done clockwise, keeping the sanctum on your right — an auspicious direction aligned with the sun's path.
Flowers symbolise devotion, coconuts represent the ego being broken, incense purifies the air, and lamps represent the victory of light over darkness.
Sacred viewing of the deity; the central act of temple worship.
Clockwise circumambulation of the sanctum.
Blessed food offered to the deity and distributed to devotees.
The innermost sanctum where the main deity resides.
The towering spire above the sanctum, a defining feature of temple architecture.
A pillared hall or pavilion within the temple complex.
The Indian Rupee (?, INR) is the local currency. ATMs are widely available in cities and towns. For temple offerings, keep small notes (₹10, ₹20, ₹50). Most temples accept donations in cash only — digital payments are uncommon at the offering counter itself.
Offerings (dakshina) are given with the right hand. Place cash in the donation box (hundi) or give it directly to the priest. There is no fixed amount — give what feels appropriate. Some temples have fixed fees for special entry or puja participation.
Shoes and sandals are removed before entering the temple building. Most temples have a designated shoe counter (free or a small fee of ₹5–₹20). Socks are generally allowed. In monsoon, carry a plastic bag for wet shoes.
Darshan queues can take 30 minutes to 3 hours at popular temples. Many offer paid VIP darshan (₹100–₹500) for faster entry. Special queues for women, elderly, and disabled visitors exist at some temples. No line jumping.
Major festivals draw enormous crowds — sometimes hundreds of thousands. Book accommodation months in advance. Expect road closures, restricted vehicle access, and limited phone network. Arrive early (before dawn) to avoid the worst congestion.
Always look for signage before taking photos. When in doubt, ask a priest. Never take photos of devotees in prayer without permission. Selfie sticks are banned at most temples. Silently switch your phone to silent mode.
Police / Ambulance / Fire: 112 (National Emergency Number)
Tourist Helpline: 1800-111-363 (Multi-lingual, Ministry of Tourism)
Women's Helpline: 1091
Temple-specific visitor information is continuously researched and updated from official sources. Where specific data is unavailable, general India travel guidance is provided. Always verify current policies with the temple authority before your visit.
Information last verified July 2026. Temple-specific data coming soon.
Continue your journey through the spiritual and architectural wonders of India.

Built by the Pallava king Nandivarman II in the 8th century (circa 770 CE), the Vaikuntha Perumal Temple in Kanchipuram is a key monument of Pallava architecture featuring three tiers of sanctums one above the other, a unique architectural design representing the three aspects of Vishnu — seated (bhoga), standing (sthita), and reclining (sayana).

The Airavatesvara Temple at Darasuram, built by Rajaraja Chola II between 1146 and 1172 CE, is one of the three UNESCO World Heritage 'Great Living Chola Temples.' It is renowned for its stone chariot, musical steps, and exquisite 12th-century Chola sculptures.

The Gangaikonda Cholapuram Temple, built by Rajendra Chola I in 1035 CE, is a UNESCO World Heritage 'Great Living Chola Temple.' Its 53-metre vimana with recessed corners and six pairs of monolithic dvarapalas represents a refined evolution of Chola Dravidian architecture.
Kampaheswarar Temple in Tribhuvanam, built by Kulothunga Chola III in 1202 CE, is one of the later great Chola temples and completes the quartet of magnificent Chola stone temples alongside the Brihadeeswarar at Thanjavur, Gangaikonda Cholapuram, and Airavatesvara at Darasuram. The temple represents the mature phase of Chola architecture, featuring a 30-metre granite vimana, a separate Devi shrine, and a unique chariot-wheel carving in the mandapa. It is maintained by the Archaeological Survey of India as a protected monument of national importance.

Koranganatha Temple, built during the reign of the Chola king Parantaka I (907-955 CE) at Srinivasanallur near Tiruchirappalli, is a well-preserved example of early Chola architecture with exquisite stone carvings. The temple is maintained by the Archaeological Survey of India and is notable for its peaceful setting on the banks of the Kaveri River.

The Pancha Rathas (Five Chariots) are a set of five monolithic temple structures carved from single granite outcrops during the reign of Narasimhavarman I (Mamalla, 630-668 CE) in Mahabalipuram. Part of the UNESCO World Heritage Site 'Group of Monuments at Mahabalipuram,' these rathas represent the earliest and most ambitious examples of monolithic rock-cut architecture in Tamil Nadu.

Olakkaneswara Temple, located on a rocky outcrop at the southern end of Mahabalipuram beach, was built by the Pallavas in the 7th century. The temple later served as a lighthouse for ships navigating the Bay of Bengal, with a beacon light placed on its tower in the late 19th century. The site offers panoramic views of the Mahabalipuram coastline.

Arunachaleswarar Temple at the foot of Arunachala Hill in Tiruvannamalai is one of the largest Shiva temples in the world, covering 25 acres. It represents the fire element (Agni) of the Pancha Bhoota Sthalas and is a Paadal Petra Sthalam glorified by the 7th-century Tevaram hymns.
"The Great Living Chola Temples represent centuries of Dravidian architecture and are still active places of worship."