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Location
Udupi
Presiding Deity
Lord Krishna
Architecture
Dravidian style with strong Kerala influences, featuring sloping copper-plated roofs and extensive woodwork.
Dynasty
13th Century (Founded by Madhvacharya)
Timings
5:00 AM to 9:30 PM daily.
Entry Fee
Free
Best Time
October to March offers the most pleasant weather for coastal Karnataka. The Paryaya festival in January is a unique once-in-two-years event.
A world-famous 13th-century temple where the deity is worshipped through a silver-plated window with nine holes, known as Kanakana Kindi.
The temple was founded by Jagadguru Sri Madhvacharya. According to legend, the idol of Lord Krishna, which was covered in sandalwood paste, was brought by a ship from Dwarka. Madhvacharya rescued the ship from a storm, and in gratitude, the sailors gave him the sandalwood blocks. Inside one of them, he found the beautiful idol of Child Krishna, which he then consecrated at Udupi. The 'Kanakana Kindi' window has its own legend: the saint Kanakadasa, who was not allowed inside the temple, was praying from outside. Impressed by his devotion, the idol of Krishna turned around to face him, and the temple wall cracked to provide a view. This window remains the primary way for devotees to see the Lord.
The temple complex is built in the traditional Kerala-Karnataka style. The 'Sree Kovil' (sanctum) is surrounded by a large courtyard. The 'Madhwa Sarovara' (sacred tank) is an integral part of the complex, where the deity is taken in a boat during festivals. The 'Chandrashala' or the hall in front of the sanctum features beautiful wood carvings and silver-plated doors. A unique feature is the 'Goshala' (cow shed) within the complex, reflecting Krishna's love for cows. The temple doesn't have the typical massive gopurams of Tamil Nadu but has elegant, multi-storied entrances.
Signature Feature: The Kanakana Kindi (a unique window through which the idol of Lord Krishna is viewed instead of a direct entrance).. Established by Saint Madhvacharya in the 13th century; the Kanakana Kindi legend is a central part of temple history.
The rituals at Udupi are performed with extreme precision and devotion by the monks of the Ashta Mathas. The day begins at 5:00 AM with the 'Nirmalya Visarjana'. There are 14 different pujas performed throughout the day. A unique aspect is the 'Kanakana Kindi' darshan, where pilgrims wait in line to peep through the window. The 'Akshaya Patra' in the temple kitchen is believed to never run out of food. The 'Arati' performed with various types of lamps is a visual treat.
The 'Paryaya Mahotsava', held every two years in January, is the most significant event, marking the transfer of power between mathas. 'Krishna Janmashtami' is celebrated with grand pomp, including the 'Vittla Pindi' and cultural performances. 'Madhva Navami' and 'Hanuman Jayanti' are also major festivals. During 'Laksha Deepotsava', the entire Rath Beedi is lit with thousands of oil lamps.
Kanakana Kindi (Window Darshan), Ashta Mathas, Dvaita Philosophy, Udupi Sambar, Paryaya System
October to March offers the most pleasant weather for coastal Karnataka. The Paryaya festival in January is a unique once-in-two-years event.
5:00 AM to 9:30 PM daily.
A. According to legend, the Lord turned around and created a crack in the wall to allow his devotee Kanakadasa to see him. This spot is now the Kanakana Kindi.
A. It is an 800-year-old tradition where the administration of the Krishna Matha is rotated among the heads of the eight mathas every two years.
A. Photography is generally prohibited inside the inner temple and during specific rituals to maintain sanctity.
Jor-Bangla Temple Bishnupur
Known for its 'twin hut' design and incredibly detailed terracotta panels depicting the Ramayana and Mahabharata.
ISKCON Temple
A spiritual hub in Dimapur offering regular kirtans, discourses, and vegetarian prasadam to followers and visitors.
ISKCON Temple
A vibrant center for the Hare Krishna movement in Mizoram, promoting spiritual education and community service.
Virupaksha Temple
The Virupaksha Temple in Hampi, Karnataka, is a UNESCO World Heritage Site and the oldest functioning temple in India, dedicated to Lord Shiva as Virupaksha.
Chamundeshwari Temple
Perched atop Chamundi Hills at 3,489 feet, the Chamundeshwari Temple is the tutelary shrine of the Wodeyar dynasty of Mysore. The goddess Chamundeshwari, an eight-armed form of Durga who defeated the demon Mahishasura, is the state deity (Naada Devi) of Karnataka. The temple is accessed by 1,000 stone steps built in 1664.
Badami Cave Temples
The Badami Cave Temples are a complex of four rock-cut cave temples carved into the soft sandstone cliffs of Badami, the capital of the Early Chalukya dynasty. Dating from the 6th-7th century CE, these caves represent the earliest known examples of South Indian temple architecture in rock-cut form and are considered the birthplace of Chalukya art. The site is on UNESCO's tentative list of World Heritage Sites.
Durga Temple
The Durga Temple at Aihole, built in the 7th-8th century CE, is a distinctive architectural experiment of the Early Chalukya period. Featuring a unique apsidal (horseshoe-shaped) plan modelled after a Buddhist chaitya hall, a raised gallery with carved stone pillars, and a massive Dravidian-style shikhara, it represents the creative fusion of architectural traditions that Characterises Aihole as the 'cradle of Indian temple architecture.'
Lad Khan Temple
The Lad Khan Temple at Aihole is one of the oldest surviving stone temples in India, dating to the 5th century CE. Built by the Early Chalukya dynasty, the temple is a key monument in the evolution of Hindu temple architecture, representing an early experimental phase when temple builders were adapting earlier wooden and brick construction methods into permanent stone forms. The temple features a flat-roofed mandapa with 16 carved stone pillars and a small ground-level sanctum.
Meguti Temple
The Meguti Temple atop the Aihole hill is a Jain temple built in 634 CE by Ravikirti, the court poet of the Chalukya emperor Pulakeshin II. The temple is historically paramount for its inscription — the Aihole Prashasti — which provides the earliest known securely dated reference in Chalukya history and records the military campaigns of Pulakeshin II, including his victory over the Pallava king Mahendravarman I.
Rasmancha Bishnupur
The oldest 17th-century brick structure in Bishnupur, unique for its massive pyramidal roof and arched galleries.
Jor-Bangla Temple Bishnupur
Known for its 'twin hut' design and incredibly detailed terracotta panels depicting the Ramayana and Mahabharata.
Shyam Rai Temple Bishnupur
A five-towered terracotta temple famous for its circular friezes showing the Rasa-lila of Lord Krishna.
Dashavatara Temple
Dating to around 500 CE, this is the earliest known North Indian temple with a shikhara (curvilinear tower). The temple is famous for its carved panels depicting the ten incarnations (Dashavatara) of Vishnu on the sanctum walls.
Shri Ram Janmabhoomi Mandir
A grand and historic temple marking the birthplace of Lord Rama, the seventh avatar of Vishnu, representing the pinnacle of Nagara architecture.
Prem Mandir
A stunning modern white-marbled complex in Vrindavan dedicated to Divine Love, known for its life-like tableaus of Krishna's pastimes.
India's temples are living traditions — not museums. Every temple has its own customs. This guide helps first-time visitors prepare with confidence and respect.
Foreign visitor information is being researched
Please verify with the official temple authority before planning your visit.
Foreign Visitors
Verify Before VisitingVisitor Information
Entry policies vary between temples. Most temples welcome visitors, while some may restrict access to specific areas, rituals, or the inner sanctum. Always verify the latest entry guidelines with the official temple authorities before your visit.
Modest clothing is expected at every Indian temple — a sign of respect, not a restriction. Think of it as dressing for a formal ceremony.
A scarf is always useful — it covers shoulders, works as a head covering, and can double as a makeshift face cover if needed.
Outdoor photography is generally permitted. Indoor photography is often restricted. Always look for signage or ask a priest before taking photos inside.
October to March offers the most pleasant weather for coastal Karnataka. The Paryaya festival in January is a unique once-in-two-years event.
April — June
July — September
English is widely understood at major tourist temples. In smaller local temples, Hindi and the regional language are more common. A smile and simple hand gestures go a long way. Learning a few words of the local language is always appreciated.
Cash (Indian Rupees) is the most reliable option, especially for temple offerings, small shops, and local transport.
UPI digital payments (Google Pay, PhonePe, Paytm) are widely accepted across India — even at roadside stalls. Download one before you arrive.
International credit/debit cards work at most ATMs, hotels, and larger establishments. Smaller vendors may only accept cash or UPI.
Carry small denominations (₹10, ₹20, ₹50, ₹100 notes) for offerings and temple donations. Large notes (₹500, ₹2000) can be hard to break at smaller counters.
Many historic temples have uneven stone floors, multiple steps, and narrow passages. Wheelchair access is limited at older sites — contact the temple in advance.
Basic restroom facilities and drinking water are available at most major temples. Some charge a small fee (₹5–₹10).
Stay hydrated — carry a reusable water bottle, especially in hot climates.
Keep valuables secure — use hotel lockers for passports and excess cash.
Wear comfortable, sturdy footwear — temple floors can be hot, wet, or uneven.
Beware of unofficial guides or touts near temple entrances. Only use authorised services.
Carry a photocopy of your passport and visa. Leave originals in your hotel safe.
Download offline maps — mobile networks can be unreliable near remote temple sites.
These short explanations help make sense of what you see and experience.
Darshan means 'seeing' — but in a temple it means being seen by the deity. It is a sacred moment of connection, not just a viewing.
Removing footwear is a sign of humility. It also keeps the temple floor clean, since devotees sit and pray on the ground.
Food offered to the deity and then distributed to devotees. It is considered blessed. Accept it with both hands and do not discard it.
The bell creates a focused acoustic atmosphere, wards off distractions, and announces your presence before entering the inner sanctum.
Circumambulation (pradakshina) is done clockwise, keeping the sanctum on your right — an auspicious direction aligned with the sun's path.
Flowers symbolise devotion, coconuts represent the ego being broken, incense purifies the air, and lamps represent the victory of light over darkness.
Sacred viewing of the deity; the central act of temple worship.
Clockwise circumambulation of the sanctum.
Blessed food offered to the deity and distributed to devotees.
The innermost sanctum where the main deity resides.
The towering spire above the sanctum, a defining feature of temple architecture.
A pillared hall or pavilion within the temple complex.
The Indian Rupee (?, INR) is the local currency. ATMs are widely available in cities and towns. For temple offerings, keep small notes (₹10, ₹20, ₹50). Most temples accept donations in cash only — digital payments are uncommon at the offering counter itself.
Offerings (dakshina) are given with the right hand. Place cash in the donation box (hundi) or give it directly to the priest. There is no fixed amount — give what feels appropriate. Some temples have fixed fees for special entry or puja participation.
Shoes and sandals are removed before entering the temple building. Most temples have a designated shoe counter (free or a small fee of ₹5–₹20). Socks are generally allowed. In monsoon, carry a plastic bag for wet shoes.
Darshan queues can take 30 minutes to 3 hours at popular temples. Many offer paid VIP darshan (₹100–₹500) for faster entry. Special queues for women, elderly, and disabled visitors exist at some temples. No line jumping.
Major festivals draw enormous crowds — sometimes hundreds of thousands. Book accommodation months in advance. Expect road closures, restricted vehicle access, and limited phone network. Arrive early (before dawn) to avoid the worst congestion.
Always look for signage before taking photos. When in doubt, ask a priest. Never take photos of devotees in prayer without permission. Selfie sticks are banned at most temples. Silently switch your phone to silent mode.
Police / Ambulance / Fire: 112 (National Emergency Number)
Tourist Helpline: 1800-111-363 (Multi-lingual, Ministry of Tourism)
Women's Helpline: 1091
Temple-specific visitor information is continuously researched and updated from official sources. Where specific data is unavailable, general India travel guidance is provided. Always verify current policies with the temple authority before your visit.
Information last verified July 2026. Temple-specific data coming soon.
Continue your journey through the spiritual and architectural wonders of India.

The Keshava Temple at Somanathapura, built in 1268 CE by Somanatha Dandanayaka, a general of the Hoysala king Narasimha III, is one of the finest surviving examples of Hoysala architecture. Inscribed as a UNESCO World Heritage Site in 2023 as part of the 'Sacred Ensembles of the Hoysalas,' the temple is renowned for its perfectly preserved star-shaped platform, three identical shrines (trikuta), and the most complete sculptural programme of any Hoysala temple.
The Lakshminarasimha Temple at Nuggehalli, built in 1246 CE by the Hoysala king Vira Someshwara, is a well-preserved example of Hoysala architecture dedicated to Lord Narasimha (the half-man half-lion avatar of Vishnu) with his consort Lakshmi. The temple features the characteristic Hoysala star-shaped platform, intricate soapstone carvings, and a sculptural programme depicting Vaishnava themes.

The Hazara Rama Temple (meaning 'Thousand Ramas') in Hampi served as the royal chapel of the Vijayanagara kings. Its basalt slab walls are covered with intricate bas-relief panels depicting the complete story of the Ramayana in sequential narrative friezes. As a core monument within the UNESCO World Heritage Site 'Group of Monuments at Hampi,' the temple is one of the best-preserved examples of Vijayanagara courtly architecture.

The Krishna Temple in Hampi was built in 1515 CE by the Vijayanagara emperor Krishnadevaraya to commemorate his successful military campaign against the Gajapati kingdom of Odisha. One of the largest temples in Hampi's sacred centre, it originally housed a magnificent image of Balakrishna (infant Krishna) brought from Odisha as a war trophy.

Perched atop Chamundi Hills at 3,489 feet, the Chamundeshwari Temple is the tutelary shrine of the Wodeyar dynasty of Mysore. The goddess Chamundeshwari, an eight-armed form of Durga who defeated the demon Mahishasura, is the state deity (Naada Devi) of Karnataka. The temple is accessed by 1,000 stone steps built in 1664.

The Badami Cave Temples are a complex of four rock-cut cave temples carved into the soft sandstone cliffs of Badami, the capital of the Early Chalukya dynasty. Dating from the 6th-7th century CE, these caves represent the earliest known examples of South Indian temple architecture in rock-cut form and are considered the birthplace of Chalukya art. The site is on UNESCO's tentative list of World Heritage Sites.

The Durga Temple at Aihole, built in the 7th-8th century CE, is a distinctive architectural experiment of the Early Chalukya period. Featuring a unique apsidal (horseshoe-shaped) plan modelled after a Buddhist chaitya hall, a raised gallery with carved stone pillars, and a massive Dravidian-style shikhara, it represents the creative fusion of architectural traditions that Characterises Aihole as the 'cradle of Indian temple architecture.'

The Lad Khan Temple at Aihole is one of the oldest surviving stone temples in India, dating to the 5th century CE. Built by the Early Chalukya dynasty, the temple is a key monument in the evolution of Hindu temple architecture, representing an early experimental phase when temple builders were adapting earlier wooden and brick construction methods into permanent stone forms. The temple features a flat-roofed mandapa with 16 carved stone pillars and a small ground-level sanctum.
"Hampi, the capital of the Vijayanagara Empire, became a UNESCO World Heritage site in 1986."