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Location
Hampi
Presiding Deity
Lord Krishna (Balakrishna)
Architecture
Vijayanagara
Dynasty
Vijayanagara (Krishnadevaraya)
Timings
6:00 AM to 6:00 PM daily. Entry is covered by the Hampi archaeological site ticket.
Entry Fee
Free
Best Time
October to March offers pleasant weather. The temple is part of the main Hampi circuit and can be visited year-round. The temple's location at the entrance to the sacred centre makes it a convenient first stop when exploring Hampi from the main bus stand direction.
The Krishna Temple in Hampi was built in 1515 CE by the Vijayanagara emperor Krishnadevaraya to commemorate his successful military campaign against the Gajapati kingdom of Odisha. One of the largest temples in Hampi's sacred centre, it originally housed a magnificent image of Balakrishna (infant Krishna) brought from Odisha as a war trophy.
The Krishna Temple was built in 1515 CE by Emperor Krishnadevaraya after his successful campaign against the Gajapati king Prataparudra Deva of Odisha. The temple was both a victory monument and a votive offering: Krishnadevaraya brought an image of Balakrishna from the conquered kingdom and installed it in the new temple. The temple's inscription (dated to 1516 CE) records the emperor's donation of 10,000 gold coins for the temple's maintenance. The inscription describes the Balakrishna image in poetic terms, calling it 'the jewel of the eastern sea' and 'the embodiment of divine childhood.' After the Vijayanagara defeat at Talikota (1565 CE), Hampi was sacked and the temple was severely damaged. The Balakrishna image was broken and the temple fell into ruins. The temple was excavated and partially restored by the Archaeological Survey of India in the 20th century. The Krishna Temple remains a widely visited monument in Hampi. The military campaign that led to the temple's construction was one of Krishnadevaraya's greatest achievements. The emperor personally led the expedition to the Gajapati capital of Cuttack, defeating the Odishan army under the command of the Gajapati king's son. The treaty that followed established the Krishna River as the boundary between the two empires. The Balakrishna image was reportedly found in the Jagannath Temple of Puri and was considered the most sacred object of the conquest. Krishnadevaraya's inscription at the temple explicitly connects his military success to his devotion to Krishna, stating that the god Balakrishna granted him the victory. The inscription also records that the emperor established a matha (monastic institution) adjacent to the temple, to be maintained by the income from 10,000 gold coins deposited with the temple treasury. The excavated remains of priest quarters, kitchens, and storehouses around the temple indicate that it housed a substantial religious establishment with dozens of priests and support staff.
“The Krishna Temple was built to house the Balakrishna (infant Krishna) image that Emperor Krishnadevaraya brought from the Gajapati kingdom of Odisha as a war trophy after his victory in 1515 CE. According to the temple's inscription, the emperor considered this image of baby Krishna to be the most sacred object of his conquest, embodying the divine grace that ensured his victory. The Balakrishna form of Krishna depicts the Hindu god as a crawling infant, often shown holding a ball of butter or a sweet — a beloved image in Vaishnava tradition that represents divine playfulness (lila). The legend of Krishna's childhood in Vrindavan — his butter-stealing escapades, his victory over the serpent Kaliya, and his lifting of Govardhana Hill — are central to the devotional tradition associated with this form. The temple's location, at the entrance to Hampi's sacred centre, symbolically positions Krishna as the gatekeeper to the spiritual realm of Hampi.”
The temple follows the Vijayanagara Dravidian plan. The complex originally included a garbhagriha (sanctum), an antarala (vestibule), a mahamandapa (great hall), and a mukhamandapa (entrance porch). The sanctum now stands empty, the original Balakrishna image having been destroyed. The temple complex includes a large paved courtyard with a pillared cloister and subsidiary shrines. The entrance gopuram (gateway tower) is partially standing. The temple walls are constructed of granite, with sculpted panels and decorative mouldings. A large tank (pushkarini) with stepped sides is located adjacent to the temple. Living quarters for priests were incorporated into the complex, a feature not common in other Hampi temples. The mahamandapa originally had 32 massive granite pillars arranged in four rows, each carved with different decorative motifs. The pillars on the eastern side of the mandapa feature scenes from Krishna's life, while those on the western side depict episodes from the Mahabharata. The eastern gopuram, though damaged, still stands to a height of approximately 20 metres, with three tiers of sculpted stucco figures depicting Vijayanagara soldiers, deities, and mythical animals. The temple's location at the head of the main bazaar was carefully chosen: the long market street leading to the temple served as a processional way, with the temple gopuram visible from the far end of the bazaar, creating a dramatic axial approach typical of Vijayanagara urban planning.
The Krishna Temple is historically significant as a direct monument to Krishnadevaraya's military campaigns and his religious patronage. The temple's inscription is an important historical document recording the emperor's conquests. The temple's location marks the transition between Hampi's market area and its sacred centre. The temple is part of the UNESCO World Heritage Site 'Group of Monuments at Hampi' (1986). The temple also marks a turning point in Vijayanagara foreign policy: the Balakrishna image brought from Odisha symbolised the empire's eastern expansion and its assertion of cultural dominance over the Gajapati kingdom. The temple's pillared bazaar, now in ruins, was a key commercial street in Hampi, serving as the main approach to the sacred centre. The bazaar's design, with rows of shops on either side and a central pathway for processions, reflects the integration of commerce and religion that characterised Vijayanagara urban planning. The temple tank, with its stepped sides and pavilion at the centre, is one of the largest surviving water structures in Hampi and demonstrates the advanced hydraulic engineering of the Vijayanagara period.
The Krishna Temple is a protected monument under the Archaeological Survey of India and part of the UNESCO World Heritage Site 'Group of Monuments at Hampi.' No regular worship or ritual activities are conducted here, as the main Balakrishna image was destroyed in 1565 CE and the sanctum stands empty. The temple is preserved as an archaeological site commemorating Krishnadevaraya's victory over the Gajapati kingdom of Odisha. No aartis, abhishekams, or puja ceremonies are performed. The temple's significance lies in its historical importance as a victory monument and its location marking the transition between Hampi's bazaar area and sacred centre.
The temple does not host active festivals. The Hampi Utsav (January-February) is an annual cultural festival organised by the Karnataka tourism department at various locations in Hampi.
Built by Krishnadevaraya to commemorate his victory over Odisha (1515 CE), originally housed the Balakrishna image brought from Odisha, one of the largest temples in Hampi's sacred centre, foundation inscription (1516 CE), part of the UNESCO Hampi World Heritage Site.
October to March offers pleasant weather. The temple is part of the main Hampi circuit and can be visited year-round. The temple's location at the entrance to the sacred centre makes it a convenient first stop when exploring Hampi from the main bus stand direction.
6:00 AM to 6:00 PM daily. Entry is covered by the Hampi archaeological site ticket.
The Krishna Temple is at the entrance to Hampi's sacred centre, next to the main bazaar. The nearest railway station is Hospet (13 km). Bicycles are the best way to explore Hampi. The temple is on the main walking route from the main bus stand to Virupaksha Temple. Allow 30-45 minutes. The temple tank, though usually dry during most of the year, is worth visiting for its well-preserved stepped architecture and the small pavilion at its centre.
Virupaksha Temple (500 m) is the main active temple in Hampi. Hampi Bazaar (alongside) is the ancient market street. Hazara Rama Temple (2 km) in the royal centre. Vittala Temple (3 km). Matanga Hill (1 km) offers panoramic views of the Hampi landscape. The Hampi Archaeological Museum (1 km) displays artifacts including fragments of the Balakrishna image and other Vijayanagara-era sculptures.
A. Built in 1515 CE by Emperor Krishnadevaraya to commemorate his victory over the Gajapati kingdom of Odisha. An image of Balakrishna (infant Krishna) was brought from Odisha and installed as the main deity.
A. The Balakrishna image was destroyed during the sacking of Hampi after the Battle of Talikota in 1565 CE. The sanctum now stands empty.
A. The temple is in Hampi's sacred centre, next to the main bazaar. Hampi is 13 km from Hospet (nearest railway station).
A. The Balakrishna image depicted Lord Krishna as a crawling infant holding a ball of butter, brought from Odisha by Krishnadevaraya after his conquest of the Gajapati kingdom in 1515 CE. It was carved from black granite and considered the finest Odishan sculpture in the Vijayanagara Empire.
A. The Balakrishna image was destroyed during the sacking of Hampi after the Battle of Talikota in 1565 CE. The sanctum now stands empty with only the pedestal remaining. Fragments of the original image have been excavated and are displayed at the Hampi archaeological museum.
A. Yes, the temple's foundation inscription, dated 1516 CE, is still present on the walls. It records Krishnadevaraya's donation of 10,000 gold coins for the temple's maintenance and provides a detailed account of his military campaign against the Gajapati kingdom.
Keshava Temple
The Keshava Temple at Somanathapura, built in 1268 CE by Somanatha Dandanayaka, a general of the Hoysala king Narasimha III, is one of the finest surviving examples of Hoysala architecture. Inscribed as a UNESCO World Heritage Site in 2023 as part of the 'Sacred Ensembles of the Hoysalas,' the temple is renowned for its perfectly preserved star-shaped platform, three identical shrines (trikuta), and the most complete sculptural programme of any Hoysala temple.
Vittala Temple
The Vittala Temple is the crowning architectural achievement of the Vijayanagara Empire. Located in Hampi's sacred centre, the temple is renowned for its iconic stone chariot carved from a single granite block and its musical pillars that produce different notes when struck. As a UNESCO World Heritage Site within the 'Group of Monuments at Hampi,' the Vittala Temple represents the pinnacle of Vijayanagara temple architecture.
Jagannath Temple
Jagannath Temple in Puri, Odisha, is one of the four Char Dham sites, famous for the annual Rath Yatra (Chariot Festival) and its unique deities made of neem wood.
Dwarkadhish Temple
The westernmost of the four Char Dham pilgrimage sites, Dwarkadhish Temple marks the legendary kingdom of Lord Krishna in the ancient city of Dwarka. Built on the banks of the Gomti River where it meets the Arabian Sea, the temple is a five-story marvel of Solanki architecture revered by Vaishnavites worldwide.
Hazara Rama Temple
The Hazara Rama Temple (meaning 'Thousand Ramas') in Hampi served as the royal chapel of the Vijayanagara kings. Its basalt slab walls are covered with intricate bas-relief panels depicting the complete story of the Ramayana in sequential narrative friezes. As a core monument within the UNESCO World Heritage Site 'Group of Monuments at Hampi,' the temple is one of the best-preserved examples of Vijayanagara courtly architecture.
Achyutaraya Temple
The Achyutaraya Temple, built in 1534 CE during the reign of the Vijayanagara emperor Achyutaraya (1530-1542 CE), is one of the largest and most impressive temple complexes in Hampi's sacred centre. Located at the foot of Matanga Hill between the Krishna Temple and the Vitthala Temple, the temple represents the mature phase of Vijayanagara temple architecture.
Vittala Temple
The Vittala Temple is the crowning architectural achievement of the Vijayanagara Empire. Located in Hampi's sacred centre, the temple is renowned for its iconic stone chariot carved from a single granite block and its musical pillars that produce different notes when struck. As a UNESCO World Heritage Site within the 'Group of Monuments at Hampi,' the Vittala Temple represents the pinnacle of Vijayanagara temple architecture.
Veerabhadra Temple
Veerabhadra Temple at Lepakshi is a 16th-century Vijayanagara masterpiece, renowned for its hanging pillar, monolithic Nandi, and exquisite ceiling murals. The temple is dedicated to Veerabhadra, a fierce form of Shiva.
Virupaksha Temple
The Virupaksha Temple in Hampi, Karnataka, is a UNESCO World Heritage Site and the oldest functioning temple in India, dedicated to Lord Shiva as Virupaksha.
Chamundeshwari Temple
Perched atop Chamundi Hills at 3,489 feet, the Chamundeshwari Temple is the tutelary shrine of the Wodeyar dynasty of Mysore. The goddess Chamundeshwari, an eight-armed form of Durga who defeated the demon Mahishasura, is the state deity (Naada Devi) of Karnataka. The temple is accessed by 1,000 stone steps built in 1664.
Badami Cave Temples
The Badami Cave Temples are a complex of four rock-cut cave temples carved into the soft sandstone cliffs of Badami, the capital of the Early Chalukya dynasty. Dating from the 6th-7th century CE, these caves represent the earliest known examples of South Indian temple architecture in rock-cut form and are considered the birthplace of Chalukya art. The site is on UNESCO's tentative list of World Heritage Sites.
Durga Temple
The Durga Temple at Aihole, built in the 7th-8th century CE, is a distinctive architectural experiment of the Early Chalukya period. Featuring a unique apsidal (horseshoe-shaped) plan modelled after a Buddhist chaitya hall, a raised gallery with carved stone pillars, and a massive Dravidian-style shikhara, it represents the creative fusion of architectural traditions that Characterises Aihole as the 'cradle of Indian temple architecture.'
Lad Khan Temple
The Lad Khan Temple at Aihole is one of the oldest surviving stone temples in India, dating to the 5th century CE. Built by the Early Chalukya dynasty, the temple is a key monument in the evolution of Hindu temple architecture, representing an early experimental phase when temple builders were adapting earlier wooden and brick construction methods into permanent stone forms. The temple features a flat-roofed mandapa with 16 carved stone pillars and a small ground-level sanctum.
Meguti Temple
The Meguti Temple atop the Aihole hill is a Jain temple built in 634 CE by Ravikirti, the court poet of the Chalukya emperor Pulakeshin II. The temple is historically paramount for its inscription — the Aihole Prashasti — which provides the earliest known securely dated reference in Chalukya history and records the military campaigns of Pulakeshin II, including his victory over the Pallava king Mahendravarman I.
Rasmancha Bishnupur
The oldest 17th-century brick structure in Bishnupur, unique for its massive pyramidal roof and arched galleries.
Jor-Bangla Temple Bishnupur
Known for its 'twin hut' design and incredibly detailed terracotta panels depicting the Ramayana and Mahabharata.
Shyam Rai Temple Bishnupur
A five-towered terracotta temple famous for its circular friezes showing the Rasa-lila of Lord Krishna.
Dashavatara Temple
Dating to around 500 CE, this is the earliest known North Indian temple with a shikhara (curvilinear tower). The temple is famous for its carved panels depicting the ten incarnations (Dashavatara) of Vishnu on the sanctum walls.
Shri Ram Janmabhoomi Mandir
A grand and historic temple marking the birthplace of Lord Rama, the seventh avatar of Vishnu, representing the pinnacle of Nagara architecture.
Prem Mandir
A stunning modern white-marbled complex in Vrindavan dedicated to Divine Love, known for its life-like tableaus of Krishna's pastimes.
India's temples are living traditions — not museums. Every temple has its own customs. This guide helps first-time visitors prepare with confidence and respect.
Foreign visitor information is being researched
Please verify with the official temple authority before planning your visit.
Foreign Visitors
Verify Before VisitingVisitor Information
Entry policies vary between temples. Most temples welcome visitors, while some may restrict access to specific areas, rituals, or the inner sanctum. Always verify the latest entry guidelines with the official temple authorities before your visit.
Modest clothing is expected at every Indian temple — a sign of respect, not a restriction. Think of it as dressing for a formal ceremony.
A scarf is always useful — it covers shoulders, works as a head covering, and can double as a makeshift face cover if needed.
Outdoor photography is generally permitted. Indoor photography is often restricted. Always look for signage or ask a priest before taking photos inside.
October to March offers pleasant weather. The temple is part of the main Hampi circuit and can be visited year-round. The temple's location at the entrance to the sacred centre makes it a convenient first stop when exploring Hampi from the main bus stand direction.
April — June
July — September
English is widely understood at major tourist temples. In smaller local temples, Hindi and the regional language are more common. A smile and simple hand gestures go a long way. Learning a few words of the local language is always appreciated.
Cash (Indian Rupees) is the most reliable option, especially for temple offerings, small shops, and local transport.
UPI digital payments (Google Pay, PhonePe, Paytm) are widely accepted across India — even at roadside stalls. Download one before you arrive.
International credit/debit cards work at most ATMs, hotels, and larger establishments. Smaller vendors may only accept cash or UPI.
Carry small denominations (₹10, ₹20, ₹50, ₹100 notes) for offerings and temple donations. Large notes (₹500, ₹2000) can be hard to break at smaller counters.
Many historic temples have uneven stone floors, multiple steps, and narrow passages. Wheelchair access is limited at older sites — contact the temple in advance.
Basic restroom facilities and drinking water are available at most major temples. Some charge a small fee (₹5–₹10).
Stay hydrated — carry a reusable water bottle, especially in hot climates.
Keep valuables secure — use hotel lockers for passports and excess cash.
Wear comfortable, sturdy footwear — temple floors can be hot, wet, or uneven.
Beware of unofficial guides or touts near temple entrances. Only use authorised services.
Carry a photocopy of your passport and visa. Leave originals in your hotel safe.
Download offline maps — mobile networks can be unreliable near remote temple sites.
These short explanations help make sense of what you see and experience.
Darshan means 'seeing' — but in a temple it means being seen by the deity. It is a sacred moment of connection, not just a viewing.
Removing footwear is a sign of humility. It also keeps the temple floor clean, since devotees sit and pray on the ground.
Food offered to the deity and then distributed to devotees. It is considered blessed. Accept it with both hands and do not discard it.
The bell creates a focused acoustic atmosphere, wards off distractions, and announces your presence before entering the inner sanctum.
Circumambulation (pradakshina) is done clockwise, keeping the sanctum on your right — an auspicious direction aligned with the sun's path.
Flowers symbolise devotion, coconuts represent the ego being broken, incense purifies the air, and lamps represent the victory of light over darkness.
Sacred viewing of the deity; the central act of temple worship.
Clockwise circumambulation of the sanctum.
Blessed food offered to the deity and distributed to devotees.
The innermost sanctum where the main deity resides.
The towering spire above the sanctum, a defining feature of temple architecture.
A pillared hall or pavilion within the temple complex.
The Indian Rupee (?, INR) is the local currency. ATMs are widely available in cities and towns. For temple offerings, keep small notes (₹10, ₹20, ₹50). Most temples accept donations in cash only — digital payments are uncommon at the offering counter itself.
Offerings (dakshina) are given with the right hand. Place cash in the donation box (hundi) or give it directly to the priest. There is no fixed amount — give what feels appropriate. Some temples have fixed fees for special entry or puja participation.
Shoes and sandals are removed before entering the temple building. Most temples have a designated shoe counter (free or a small fee of ₹5–₹20). Socks are generally allowed. In monsoon, carry a plastic bag for wet shoes.
Darshan queues can take 30 minutes to 3 hours at popular temples. Many offer paid VIP darshan (₹100–₹500) for faster entry. Special queues for women, elderly, and disabled visitors exist at some temples. No line jumping.
Major festivals draw enormous crowds — sometimes hundreds of thousands. Book accommodation months in advance. Expect road closures, restricted vehicle access, and limited phone network. Arrive early (before dawn) to avoid the worst congestion.
Always look for signage before taking photos. When in doubt, ask a priest. Never take photos of devotees in prayer without permission. Selfie sticks are banned at most temples. Silently switch your phone to silent mode.
Police / Ambulance / Fire: 112 (National Emergency Number)
Tourist Helpline: 1800-111-363 (Multi-lingual, Ministry of Tourism)
Women's Helpline: 1091
Temple-specific visitor information is continuously researched and updated from official sources. Where specific data is unavailable, general India travel guidance is provided. Always verify current policies with the temple authority before your visit.
Information last verified July 2026. Temple-specific data coming soon.
Continue your journey through the spiritual and architectural wonders of India.

The Hazara Rama Temple (meaning 'Thousand Ramas') in Hampi served as the royal chapel of the Vijayanagara kings. Its basalt slab walls are covered with intricate bas-relief panels depicting the complete story of the Ramayana in sequential narrative friezes. As a core monument within the UNESCO World Heritage Site 'Group of Monuments at Hampi,' the temple is one of the best-preserved examples of Vijayanagara courtly architecture.

The Achyutaraya Temple, built in 1534 CE during the reign of the Vijayanagara emperor Achyutaraya (1530-1542 CE), is one of the largest and most impressive temple complexes in Hampi's sacred centre. Located at the foot of Matanga Hill between the Krishna Temple and the Vitthala Temple, the temple represents the mature phase of Vijayanagara temple architecture.
The Vittala Temple is the crowning architectural achievement of the Vijayanagara Empire. Located in Hampi's sacred centre, the temple is renowned for its iconic stone chariot carved from a single granite block and its musical pillars that produce different notes when struck. As a UNESCO World Heritage Site within the 'Group of Monuments at Hampi,' the Vittala Temple represents the pinnacle of Vijayanagara temple architecture.

Perched atop Chamundi Hills at 3,489 feet, the Chamundeshwari Temple is the tutelary shrine of the Wodeyar dynasty of Mysore. The goddess Chamundeshwari, an eight-armed form of Durga who defeated the demon Mahishasura, is the state deity (Naada Devi) of Karnataka. The temple is accessed by 1,000 stone steps built in 1664.

The Badami Cave Temples are a complex of four rock-cut cave temples carved into the soft sandstone cliffs of Badami, the capital of the Early Chalukya dynasty. Dating from the 6th-7th century CE, these caves represent the earliest known examples of South Indian temple architecture in rock-cut form and are considered the birthplace of Chalukya art. The site is on UNESCO's tentative list of World Heritage Sites.

The Durga Temple at Aihole, built in the 7th-8th century CE, is a distinctive architectural experiment of the Early Chalukya period. Featuring a unique apsidal (horseshoe-shaped) plan modelled after a Buddhist chaitya hall, a raised gallery with carved stone pillars, and a massive Dravidian-style shikhara, it represents the creative fusion of architectural traditions that Characterises Aihole as the 'cradle of Indian temple architecture.'

The Lad Khan Temple at Aihole is one of the oldest surviving stone temples in India, dating to the 5th century CE. Built by the Early Chalukya dynasty, the temple is a key monument in the evolution of Hindu temple architecture, representing an early experimental phase when temple builders were adapting earlier wooden and brick construction methods into permanent stone forms. The temple features a flat-roofed mandapa with 16 carved stone pillars and a small ground-level sanctum.

The Meguti Temple atop the Aihole hill is a Jain temple built in 634 CE by Ravikirti, the court poet of the Chalukya emperor Pulakeshin II. The temple is historically paramount for its inscription — the Aihole Prashasti — which provides the earliest known securely dated reference in Chalukya history and records the military campaigns of Pulakeshin II, including his victory over the Pallava king Mahendravarman I.
"The Shore Temple at Mahabalipuram is one of the oldest structural stone temples of South India."